The E-mu Systems Emulator III XP Model 6101, released in the early 1990s, represents a significant advancement in digital sampling technology. As an evolution of the earlier Emulator models, the Emulator III XP offered 16-bit, 44 kHz stereo sampling and more powerful processing capabilities, making it a top choice for professional studios. This model became known for its high-quality sound and extensive editing features.
Due to it’s price – $12,695 for the 4 MB model and $15,195 for the 8 MB model at a time when manufacturers such as Akai, Ensoniq and Casio offered lower-quality samplers at less than $2,000 –, it did not prove a great commercial success but was nonetheless used by artists like Tony Banks of Genesis, Lynda Thomas, 808 State and Depeche Mode to craft complex, layered compositions.
The Emulator III XP Model 6101 features a 16-bit sampling engine with a 44.1kHz sample rate, providing exceptional audio fidelity. It includes 32 voices of polyphony, allowing for intricate layering and detailed soundscapes. The sampler's advanced modulation capabilities include multiple LFOs, envelopes, and a flexible modulation matrix. It also offers a comprehensive effects section with real-time processing, enhancing its sound design potential. The Emulator III XP includes a built-in hard drive and SCSI connectivity for extensive sample storage and recall. Its user-friendly interface and robust MIDI implementation make it a versatile tool for modern music production environments.
